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- <text id=94TT1167>
- <title>
- Aug. 29, 1994: Cinema:Murder's R: Bad Language NC-17
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Aug. 29, 1994 Nuclear Terror for Sale
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/CINEMA, Page 68
- Murder Gets an R; Bad Language Gets NC-17
- </hdr>
- <body>
- <p>By Richard Corliss. Reported by Martha Smilgis/Los Angeles and
- David E.Thigpen/New York
- </p>
- <p> Oliver Stone eagerly tells you about the 150 shots he had to
- remove or trim in Natural Born Killers to secure an R rating
- from the classification board of the Motion Picture Association
- of America (MPAA). There was the bring-me-the-head-of-Tommy-Lee-Jones
- scene, where prisoners put the warden's head on a spike. There
- was the see-through-the-palm-of-Robert-Downey-Jr. shot, after
- Mallory blows a hole in the newsman's hand. Stone has more,
- if you want to hear them.
- </p>
- <p> And next year, you'll be able to see them. Like other films
- that lost scenes in ratings wrangles, NBK will have a "director's
- cut" in video stores. Bruce Willis promises a similarly complete
- version of Color of Night, the steamy drama that opened last
- week in R-rated form after love scenes of the frontally nude
- star were excised. Willis has decried the board's "sexism,"
- noting that Basic Instinct, with Sharon Stone displaying roughly
- comparable areas of her anatomy, got an R.
- </p>
- <p> The R rating is so desirable because the restrictive NC-17 category
- (no children under 17 allowed) can mean "economic suicide,"
- says Harvey Weinstein, co-chairman of Miramax Films. "Many theaters
- won't play your movie, you're not able to advertise on TV, and
- many newspapers don't take your ads."
- </p>
- <p> For 20 years, the rating board's chief arbiter of explosives
- and orifices was Richard Heffner, routinely described as one
- of Hollywood's most powerful men because the Stones and Scorseses
- had to tailor their visions to his stern standards. He recently
- retired from the job and was succeeded by Richard Mosk, 55,
- a prominent Los Angeles lawyer whose father is a justice of
- the California Supreme Court. This month Mosk's rating board
- slapped two Miramax films with an NC-17. On the basis of these
- decisions, the Heffner era may soon be regarded as an age of
- enlightenment.
- </p>
- <p> Leslie Megahey's The Advocate (originally The Hour of the Pig)
- is an acid British satire of legal and moral hypocrisy, a tart
- black comedy about the black-plague years in the 14th century--and the 20th. The film was cited for undue boisterousness
- in a (really quite mild) sex scene.
- </p>
- <p> Kevin Smith's Clerks., a rakish comedy set in a New Jersey convenience
- store, was proscribed for "language"--a wittier, more stylized
- version of the wry obscenities that are the lingua franca of
- today's teenagers. "I don't want to become a poster boy for
- vulgarity," says Smith, 24, "but in this film it works. There's
- nothing in Clerks. that is more vulgar than the language Jennifer
- Jason Leigh uses as a phone-sex operator in Robert Altman's
- Short Cuts, and that movie got an R. In fact, that was done
- in a sexually titillating way. In our movie it's not. It's just
- conversation."
- </p>
- <p> That's one problem with both of the NC-17 movies: their action
- and dialogue are natural, recreational, an expression of the
- characters' personalities. The sex is presented as play in The
- Advocate, the language as banter in Clerks. If they had been
- used in a threatening or violent fashion--as a tool of melodrama,
- the way they are in most R-rated Hollywood pictures--the board
- might have shrugged them off.
- </p>
- <p> The Advocate appealed but lost; it opens this week with a few
- seconds cut and an R rating. The case for Clerks. comes up next
- month. "The MPAA must have a double standard, one for the big
- studios and one for everybody else," says Weinstein, "if Natural
- Born Killers slips through and our two don't. Otherwise, I just
- don't get it."
- </p>
- <p> The real issue isn't a double standard; it's the censorious
- clout of the rating system. Jack Valenti, the MPAA boss who
- invented the system, insists it is "purely voluntary" and meant
- only as a guide to parents. If that were so, he would allow
- separate versions of a film (R and NC-17) to play in different
- theaters. Then smart, serious moviemakers like Stone, Smith
- and Megahey would be able to write and direct pictures to their
- own standards, and not a 16-year-old's.
- </p>
- </body>
- </article>
- </text>
-
-